![]() It also eliminates the need for Matt's guitar tech to do all the Whammy controlling. During Map of the Problematique, Unsustainable, and the solos of Reapers and Thought Contagion, Matt's Whammy pedal is also synchronised to the click track via MIDI, allowing Matt to walk around on stage freely, instead of controlling the Whammy pedal. A click track is also used in some songs which do not have backing tracks in order to keep in time with synchronised guitar effects like delays, for example in " Sing For Absolution". To do that, the entire band use a digital metronome (also known as a "click track") – synchronised to the recording – playing through their In-Ear Monitors, which the audience do not hear. Since Black Holes & Revelations, the band hired Morgan Nicholls to help with additional instrumentation on most of the songs, cutting the need for more backing tracks, while also making the songs performed live sound a lot closer to their studio versions.īecause backing tracks are in a set tempo, the band have to keep time with them. For the Origin of Symmetry era and (especially) the Absolution era, the band had to rely solely on backing tracks for additional instrumentation. The tracks are usually played through an off-stage computer, together with a click-track. This includes, for example, the orchestral strings in songs like Butterflies & Hurricanes and Unsustainable, the synthesizer arpeggios in Bliss and Starlight, the "I Want It Now" backing vocals in " Hysteria" and the speech in Psycho. A "backing track" is a recorded track that the band play along to, in order to add extra layers to their music, which cannot be played by only three people. Muse make increasing use of backing tracks when performing live. 6.5 Cardboard boxes with an aluminium chair.
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